On their debut self-titled LP, NORMANS stitch together elements of surf, post punk, noise rock, and Wax Trax! Records era electro-industrial music for a sound that is simultaneously urgent, angry, and disturbingly danceable (Murder Rich and Bending The Branch). Oozing with satire and shrouded in bizarre visual art and imagery, bassist and vocalist Matthew Reid who is also a painter and visual designer, explores issues of violence, drug use, and the terrified animal caged within us all.